Featherstone Exhibit Has Pottery Down to a Teapot

Begin with a teapot. That’s the simple underlying premise for a group exhibition at Featherstone Center for the Arts opening Saturday, Sept. 6, entitled Teapots and More.

“The main thing needs to be a teapot,” ceramacist Washington Ledesma said, explaining that each artist who offers a teapot for the exhibit may bring up to four more pieces for display. If many artists bring many pieces, Mr. Ledesma hopes the show can spill out under a tent on the Featherstone grounds.

History Lives on at Four Generations, As Gallery Continues Without Patriarch

“Art is a way of life in many ways for the family,” Michele Ortlip says. “My generation, the generation before me, the generation before them my grandfather’s father was an artist, my great uncle, my two aunts everybody.” It goes without saying that, included in the generation before her is Michele’s father, Paul Ortlip, the shining star of the family’s serious crop of artistic talent. The fourth generation of Ortlips, under custody of their father, grew up in a Fort Lee, N.J., home overlooking the Manhattan skyline.

Art Taught Well — It’s the Bee’s Knees

Elena De La Ville has just arrived home after a class at Featherstone Center for the Arts, still seemingly abuzz. You can hear the artist’s passion for teaching instantly as she describes the beeswax collage class as a complete success: “It was incredible!”

For those unfamiliar with the artistic capabilities of beeswax, she explains, “It sort of is using beeswax as glue, to be the medium for what you do, and using whatever people had to make a new piece in collage.”

Groovy Sue: Artist Finds New Ideas in Garage Gallery of Old Things

It was a sensual delight and a writer’s demise, a step into a clichéd “different world.” Hypnotic trance reggae beats were clearly amplified from a Macintosh laptop computer. The transition was complete with a climate change, from the cool breeze off of Oak Bluffs’ Sunset Lake to the protected cove of Suesan Stovall’s garage. But this is not merely a garage, and this is not, in fact, a different world. It is a familiar and proximate one, only a few minutes from the main drag and harbor in Oak Bluffs.

City Sites Under Gallery Lights at PikNik Show

Minutes away from the main retail drag of Circuit avenue, in the arts district of Oak Bluffs, reads a sign: “PikNik: Art & Apparel. Expect anything.” The “expect anything” line encourages visions of Marcel Duchamp’s Fountain or other more radical, conceptual art pieces. In fact, PikNik is currently showing an abstract exhibit, which seems to fit “expect anything” expectations.

Golf Day Honors Ken Williams, Who Began Polaroid Revolution

Caroline Hunter opens up a binder densely packed with years of newspaper clippings, decades-old photos, letters and other paper mementos. Beside her is a stack of books marked with dozens of blue Post-it notes. The meticulous bookkeeping is not a hobby. And though the man to whom these records pertain is Caroline’s late husband, Ken Williams, this scrapbook filled with Ken’s work, and articles and books mentioning him, is not a memorial: for Caroline, it is a civic responsibility.

Cue the Lights and Start the Seduction: Eisenhauer Gallery Opens Group Show

Cheri Christensen’s No Country for Old Cows sits on a wall in Eisenhauer Gallery in Edgartown. True to the name, it’s a painting of cattle. But the artist’s use of light, a faint yellow outline around her subjects, gives the cows an aura of majesty, as if rays of the setting sun chose only to fall on them.

All Island Art Show Turns 50, Opening Monday at Tabernacle

On a sunny August morning in 1990, a retired lawyer living on the Vineyard was setting up his presentation for that year’s All Island Art Show at the Tabernacle in Oak Bluffs.

“I’m getting back into the spirit of Martha’s Vineyard,” he told a Gazette reporter at the time. It was a comment the reporter said reflected the atmosphere of the day. And it’s a sentiment, according to Gazette records, that has marked the last half-century for the All Island Art Show, which opens for its 50th year Monday at the Tabernacle.

Art So Close Yet Still an Island Away

For a Vineyard kid, “when you first move away, there are two places: on-Island and off-Island,” said Kelley Callahan, viewing the exhibition by Marshall Pratt at the Periwinkle Gallery in Oak Bluffs which opened last weekend. In the show, A Vineyard Boy in Boston, Pratt uses photographs to depict this contrast, for instance by juxtaposing the image of a rock at Squibnocket and a similar rock in a Boston slum.

Island Inspires Artist Rose Abrahamson

Tonight, Rose Abrahamson will celebrate what she warns could be her last art opening. “I’ll be 87 in October,” she said by way of an invitation to come and preview her new paintings and collage work. “How much longer can I work?”

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