The Old Sculpin Gallery was full of lively energy and a crowd of people on Sunday. It was the show for the scholarship winners of the Martha’s Vineyard Arts Association.
This year’s winners are Isaac Hurwitz and Kira Shipway; the alternate is Tova Katzman.
Each of the three recent high school graduates presented an impressive array of work, stretching across mediums and subject matters.
VanLandingham Exhibit
Island-born painter Dan VanLandingham, fresh from receiving his master of fine arts degree at Savannah College of Art and Design, will exhibit his Vineyard landscapes at Dragonfly Fine Arts Gallery. Mr. VanLandingham is the featured artist at the gallery through June 22.
The gallery is at 91 Dukes County avenue in the arts district in Oak Bluffs. Call 508-693-8877 or visit mvdragonfly.com.
Student Art Show
A show featuring the work of the Martha’s Vineyard Art Association scholarship winners opens tomorrow at the Old Sculpin Gallery on Dock street in in Edgartown.
The reception is Sunday from 5 to 7 p.m.
Featured artists are scholarship winners Isaac Hurwitz and Kira Shipway and alternate Tova Katzman.
Isaac’s mediums range from oils, acrylics and inks to spray paint and watercolor. He is currently attending the San Francisco Art Institute.
The architecture of the 18th century Colonial home enjoyed by four generations of the Cooke family won’t be the oldest art on display on Friday evening when the Martha’s Vineyard Museum opens its season with a free reception for members and guests: A traditional Afro-Brazilian dance that dates back to the 16th century will be on show, too, courtesy of a group from Martha’s Vineyard Capoeira.
Windemere Raises $17,600
For Recreational Programs
A Thomas Hart Benton Vineyard landscape painting will go on the auction block Thursday at the Swann Galleries in New York city. The painting is from Mr. Benton’s early work, estimated to have been painted in the 1920s when Mr. Benton and his wife, Rita, first began summering on the Vineyard. Titled Landscape, Martha’s Vineyard, the painting is oil on paper, circa 1922-24.
The painting’s more abstract look is indicative of Benton’s early to mid-career work, according to Todd Weyman, a Benton expert at Swann Galleries.