Edith Blake
The movie production of Jaws continues to roam the Island in much the same manner as a touring medicine show, playing in each of the Island’s towns.
Tom Lee
Edgartown at any price is a bargain compared to friendly Amity.
Tom Lee
The rumors about Jaws suddenly turned ugly three weeks ago.
Edith Blake
“We’ll go again,” said the assistant director, Tom Joyner, and into the valley of death waded The 400 with cameras to the right of them, and cameras to the left of them.

1974

For a nerve-tattering 24 hours this week, Universal Studios’ production on Martha’s Vineyard of the smash-to-be film Jaws was a suspense story that no audience will ever see.

The $3 1/2-million project had run afoul of the law — the production crew had not gotten permission to do a batch of things it was doing.

And permission-getting, which involves formal public notice (see legal advertisements, Page Two), hearings, and mature deliberation, can be agonizingly long. Production costs are budgeted at $30,000 a day.

Since news broke that a film crew from Universal Studios would be making a movie on the Vineyard during the next two months, a subtle primping has been in the March wind. A few fishermen who are rarely seen in working togs have been hanging around Edgartown’s Main street with a cultivated crustiness. Waning Shakespeareans crib for an impromptu audition and casually mutter Falstaff speeches in grocery lines. Archtypal New Englanders develop brooding into a form of showmanship.

Complete with a mechanical shark, underwater footage already shot in Australia and many dollars for the Island’s spring and summer economy, a film crew from Universal Studios will shoot a movie on the Island between late April and July. The story of a rampaging great white shark terrorizing a seaside resort, the film will be directed by Stephen Stielberg, whom producer William Gilmore calls “One of the most talented bright young (26) directors in America”.

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