For four years Barney Zeitz has been working on a series of stained glass windows for a church in Germany that was once a synagogue. In two weeks, the last windows head overseas.
In 1979, Carly Simon opened the Hot Tin Roof nightclub with two partners. To decorate the venue, she hired Margot Datz, a 26-year-old sculptor who had recently moved to the Vineyard.
Large format is the size of the summer on the walls of three Martha’s Vineyard art galleries, with expansive landscapes, abstracts and abstract landscapes by several distinctly different painters.
Abe Pieciak and Brandon Newton opened the Chilmark Gallery last weekend with a reception on Friday night. The artists said they hope to inspire not just artists to tap into their creativity.
Featherstone Center for the Arts hosted a reception on Sunday for its new show My One and Only, which opened the season with a group show of 90 artists.
Up the stairs, on the second floor of Ruth Kirchmeier’s house, is her art studio. It is cluttered with little tins full of colored pencils and cups holding different carving tools. There are posters and maps rolled up in the corner. Her woodcuts, which she has been doing for 50 years, are stored on shelves along the wall. Several desk lamps are scattered about, adding to the natural light that pours in from the skylight above. The room feels light and airy in July, but it’s easy to imagine how cozy it must be in the winter.
There is no end to Lois Mailou Jones’ creative resources.
The name itself is poetry. A youthful, energetic 72, Lois Jones is the veteran of a long and fruitful career in the arts. Being black and a woman, her accomplishment is especially significant.
As early as age 14, composer Harry T. Burleigh had advised Lois that if she wished to establish a serious career, she would have to go abroad in order to get full exposer and avoid the disadvantage of being black in the United States.
