The future setting of the Martha’s Vineyard Museum is the subject of a meeting tonight of its board of directors. The 26-member board will discuss whether to continue with an ambitious $27 million capital plan to relocate the museum to West Tisbury, or to move operations to the Edgartown school. Alternatively, the board could scrap both proposals and stay put at its original campus on the corner of School and Cooke streets in Edgartown.
Linsey Lee emerged from what was once the Vineyard’s first African American church last week peeling a respirator from her face. By her count, she had spent more than 150 hours in the Bradley Memorial Church in Oak Bluffs, and the mask stood as a shield between her and decades of dust.
In its sixth year of a capital campaign, the Martha’s Vineyard Museum is carrying an operating deficit from 2007 as it considers a different location for a future museum campus.
Keith Gorman, executive director of the museum since January of this year, has taken control of the nonprofit business at a difficult time. Determined to avoid a repeat financial performance in 2008, he is also presiding over a reassessment of the campaign to expand the museum which began in 2002 with a $27 million price tag and is currently undergoing a period of major reassessment.
A painting of a well-known Menemsha-based trawler by Heather Neill has been given to the Martha’s Vineyard Museum by an anonymous donor. The eight by four-foot painting, titled Strider’s Surrender, evokes the decline the local fishing industry.
The Quitsa Strider II is owned by respected Island fishermen Jonathan Mayhew. In a move symbolic of the dire state of the local fishing industry, Mr. Mayhew sold his federal permits last year, giving up his license and putting up the vessel itself for sale.
The Martha’s Vineyard Museum has named David Nathans, of Princeton, N.J., as its new director. He will take over from Keith Gorman in late August.
Mr. Nathans, the founder and director of the Sydney Company, a marketing and business development firm with a focus on museums and cultural arts organization, will relocate to the Vineyard, according to a museum announcement.
The Martha’s Vineyard Museum has taken an option on the former Marine Hospital in Vineyard Haven, giving the museum’s board until the end of January to decide whether the historic property perched on a hilltop above the harbor could serve as the new home for the Island’s historical collections.
The marine hospital went on the market in April with an asking price of $3.19 million.
As Island residents go kicking and screaming into the future, the Martha’s Vineyard Museum has always served as a refuge in turbulent times. Here the centuries mingle and Island life never changes. In one room, romantic maritime tableaus etched by idling seamen in the jawbones of sperm whales recall the glory of Martha’s Vineyard’s seafaring past, while in the next gallery the indelible 20th century folk art of Stanley Murphy revels in the workaday triumphs of a rural Island community.
“It is Sunday, and a very pleasant day. I have read two story books. This is my journal. Goodbye for today.”
So opened six-year-old Laura Jernegan’s journal, in an entry dated Dec. 1, 1868, as she set sail on a three-year sea expedition with her family aboard the whaling vessel Roman.
The Vineyard was a frightening place for a young girl to be during World War II, but exciting too. Servicemen were walking the streets before their deployment to Europe. Navy and Army pilots conducting training exercises overhead occasionally came crashing into the ocean. And there were the constant rumors of enemy spies and submarines along the Island’s shores.
